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| pinecone piece 3 (2 pinecones / matches)
| (adam overton)
| for Mark So
part of a series of pinecone pieces
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| 2009
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| 20091
| (Manfred Werder)
| indeterminate
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| 20092
| (Manfred Werder)
| indeterminate
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| 20093
| (Manfred Werder)
| indeterminate
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| 20094
| (Manfred Werder)
| indeterminate
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| 20095
| (Manfred Werder)
| indeterminate
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| 景
| (Mitsuteru Takeuchi)
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| 36-63-56
| (MARTIN BACK)
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| 3x3
| (Jukka-Pekka Kervinen)
| for piano
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| 4:BG04/10PVD'09
| (Richard Kamerman)
| a private work for a public space
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| 5 instructions to move A
| (Carly Short)
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| A Checklist: Christine's score for making an amazing dance
| (Anatomy Riot #33 - Scores for a Recession)
| inspired by real life experience
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| across
| (Jukka-Pekka Kervinen)
| for piano
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| ADAM FONG
| (Mark So)
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| adjacent waters
| (Mark So)
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| a few feet into our future music food sex
| (Mark So)
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| A Few Voices (or Polyphony I-III)
| (G Douglas Barrett)
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| a field trip they skate past the window
| (Mark So)
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| AGNES MARTIN
| (Mark So)
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| a hundred times
| (adam overton)
| flipping coins ...
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| a last look at shelving rock and tree blue beginnings
| (Mark So)
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| almost completely still
| ( : open to all levels :)
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| a median kingdom
| (Mark So)
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| A Mousse Tongue
| (Asher Hartman)
| A Mousse Tongue Mousse your hair Mousse your hair Mousse your hair Mousse it Mousse your hair Speak And Mousse Mousse and Speak Take the addresses of your fathers, your forefathers, their fathers and stuff them in your mouth Speak and mousse your hair Mousse it Speak the addresses Mousse it good Make it stand up Get a friend A her And make her state her poems While you make your hair stiff
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| anarchy
| (Mark So)
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| And the sky is unforgettable
| (Mark So)
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| an even larger view of the universe
| (Mark So)
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| an inch off the ground (for sam sfirri)
| (adam overton)
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| another piano piece for JULIE SIMON
| (Mark So)
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| ANTOINE
| (Mark So)
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| A place to wait for, not in
| (Mark So)
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| append this
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| A ride in common variety
| (Mark So)
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| a scene of happiness center of the forest at night
| (Mark So)
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| ascii music 1
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| ascii music 2
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| A Series of Compositions for Postposthuman
| (Adam James Davis)
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| as well
| (Jukka-Pekka Kervinen)
| for piano (or celesta/harp/violin)
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| Automorphic Piece for Standing
| (Adam James Davis)
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| "Back into the mixing desk..."
| (Adam James Davis)
| The circulation of signals through the signal paths of a recording studio is the music.
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| banjolely
| (Stephen Chase)
| ukelelevent #6
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| be "that guy" performance
| (adam overton)
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| beyond that
| (Jukka-Pekka Kervinen)
| Open score for any number of instruments.
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| bits & pieces
| (adam overton)
| peruse several experimental performance scores (musical or otherwise) that interest you, selecting the bits and pieces of each that you like, and discarding the rest. combine and perform these bits and pieces as a single work.
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| björk in the background
| (adam overton)
| björk's music in the background
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| bored glances, boring questions
| (Mark So)
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| brass duo
| (Mark So)
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| breakfast, lunch, or dinner
| (adam overton)
| during any performance...
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| breaking news meditation
| (experimental meditation database)
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| by extinguished torchlight (decorative patina)
| (Mark So)
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| can't environment
| (adam overton)
|
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cancel at the last minute piece
or
process over product piece
| (adam overton)
|
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| CASEY ANDERSON
| (Mark So)
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| CASSIA STREB
| (Mark So)
|
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| cat plant spray meditation
| (experimental meditation database)
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| catzen meditation
| (experimental meditation database)
| ... release a cat into the room
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| Chime Zone
| (Steven L Anderson)
| Chime Zone with Molly Roth
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| CHIYOKO SZLAVNICS 2 clouds
| (Mark So)
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| CHRISTIAN KESTEN
| (Mark So)
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| CHRISTINE TAVOLACCI
| (Mark So)
|
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| clippings . 11 Feb 2009
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
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| clippings . 2 March 2009
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
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| clippings . 5 April 2009
| (adam overton)
| fingernails & toenails, graphic score for any instrument(s) or action(s)
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| clippings . early Jan 2009
| (adam overton)
| fingernails, graphic score for any instrument(s) or action(s)
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| Color of the sound of waves
| (Mark So)
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| columbus salt marsh
| (Mark So)
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| Congratulations
| (adam overton)
| ... you have just performed this piece
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| conspiracy piece
| (adam overton)
|
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| CORAZON AQUINO
| (Mark So)
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| counterpoint piece
| (adam overton)
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| cpu series: create a list of links and follow them
| (adam overton)
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| Dani is the Greatest!
| ( : open to all levels :)
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| date of expiration performance
| (adam overton)
|
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| Delicious instants
| (Sam Sfirri)
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| Deprivation Music Variations (for Eric km Clark)
| (adam overton)
|
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| Derivation XIV.
| (G Douglas Barrett)
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| disappear
| ( : open to all levels :)
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| distant places (outside the great city)
| (Mark So)
|
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| Don't think about work so much
| (Anatomy Riot #33 - Scores for a Recession)
|
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| Do one movement
| ( : open to all levels :)
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| DOUGLAS WADLE
| (Mark So)
|
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| drawing - dancers
| (Anatomy Riot #33 - Scores for a Recession)
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| drawing (figure)
| ( : open to all levels :)
|
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| drum solos
| (adam overton)
| titles, or themes, for solo improvisations by the beginner, intermediate, or advanced drumset player
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| dust meditation
| (experimental meditation database)
| Open score for experimental meditation
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| Each a Step Closer
| (Gerhard Schultz)
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| ELELEKUSHUN
| (Stephen Chase)
|
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| emotive movement
| ( : open to all levels :)
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| escalator music
| (Eliot Eidelman)
|
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| EVA MARIA HOUBEN
| (Mark So)
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| Every few hours
| (Mark So)
|
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| experimental performance "egg-hunt"
| (adam overton)
| perhaps like déja vu...
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| fade out event
| (adam overton)
|
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| Feet. Can't. Fail.
| (Stephen Chase)
| any number of performers, sustained sounds
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| fidgeting music
| ( : open to all levels :)
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| field and perfect circuit
| (Michael Winter)
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| Film
| (Francesco Gagliardi)
|
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| Fireworks
| (Cinzia Cremona)
| a 10 seconds performance in 10 steps
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| float
| ( : open to all levels :)
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| for any stolen instrument
| (adam overton)
| for Nathan Brown
|
