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| 2007
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| 19sept07
| (Mark So)
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| 1 sample, x performers, y seconds
| (Michael Winter)
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| 20071
| (Manfred Werder)
| indeterminate
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| 37 haiku
| (Mark So)
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| 4 Ascents for James Tenney
| (Michael Winter)
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| 4 james orsher
| (Michael Winter)
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| a chance happening
| (Michael Winter)
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| a darkness of ones own
| (Mark So)
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| a dollop of afternoon wind
| (Mark So)
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| a far and fatal corridor
| (Mark So)
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| after a koan
| (Michael Winter)
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| A great gesture building
| (Mark So)
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| a kind of sleep
| (Mark So)
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| all the same color again
| (Mark So)
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| all we can do haystacks
| (Mark So)
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| always one stream is pointing north
| (Mark So)
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| ambrosia in the alley
| (Mark So)
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| a mirage
| (Mark So)
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| among the pretty lunging of the wind
| (Mark So)
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| And the grove is blind, blossoming
| (Mark So)
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| an ongoing thing (dream of Mania)
| (Mark So)
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| another chain letter
| (Mark So)
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| anotherjohnwhitediscounttakeoff
| (Stephen Chase)
| ukelelevent #1
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| a piece of traffic
| (Mark So)
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| a present that is elsewhere
| (Mark So)
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| Art As Excuse: [ not ] just because we're horny: spin-the-bottle [ & variations]
| (adam overton)
| multiple intimate variations of spin-the-bottle, for 2 or more participants
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| Art As Excuse: Untitled Private Encounter
| (adam overton)
| art as excuse: would you care to meet up at some point for an "untitled private encounter"?
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| a tepid atmosphere (bedroom near the sky)
| (Mark So)
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| at north farm
| (Mark So)
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| a wave
| (Mark So)
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| a weighted sleep experiment
| (experimental meditation database)
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| B
| (Mark So)
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| Basinski’s Zipper
| (Ric Royer)
| Performers make ZZZZZZZZZZZ sound. Each performer steps forward and quietly says: “Down by the river Where no one knows There lays Mary without any clothes” After the final performer, ensemble sings: “Mary with the hairy heart”
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| Bath Piece for Mark So
| (adam overton)
| for solo performer, in bathtub
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| before the dark (a love poem)
| (Mark So)
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| Best Friends Forever for Brooke Smiley
| (adam overton)
| ... fearing neither spit nor drool / best friends forever ...
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| Book Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
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| cabaret
| (Mark So)
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| cactus
| (Michael Winter)
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| ceramic day
| (Mark So)
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| Chew Spit Scratch
| (adam overton)
| 3 movements, in order, for Christian Kesten
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| CHRISTIAN WOLFF
| (Mark So)
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| Desert Performances (Pamphlet)
| (adam overton)
| a pamphlet of 30 small pieces to perform [or not] in the desert
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| Dirty? Or...
| (Mark So)
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| distant resolution
| (Mark So)
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| distract yourself meditation
| (experimental meditation database)
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| dogs
| (Virginia Axioti)
| performance
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| El Rey (a new kind of emptiness)
| (Mark So)
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| Entropic Canon
| (Michael Winter)
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| five dollar bill meditation
| (experimental meditation database)
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| focus on an irritating sound meditation
| (experimental meditation database)
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| from flute to shining flute
| (Mark So)
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| imagine, consistently, that you are what you want to be meditation
| (experimental meditation database)
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| Interruption Pieces
| (adam overton)
| Create a performance that would neither suffer nor benefit from one or more or all of the following [or other] unexpected "interruptions"...
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| Invisible Performances Pamphlet (Machine Project)
| (adam overton)
| 30 invisible performances ...
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| JOSEPH KUDIRKA
| (Mark So)
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| Maker Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
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| many many
| (Michael Winter)
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| maximum change
| (Michael Winter)
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| MICHAEL
| (Mark So)
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| Napping Music
| (adam overton)
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| ocean floor meditation
| (experimental meditation database)
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| One/1
| (Peter Bo Rappmund)
| Byzantine chant atomized and recompiled into instructions for visual edits and cues. Files below: original score with notes; graphic score interpretation for film.
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| Petrichor
| (Adam Scott Neal)
| clarinet and tape piece, sounds like a lazy, rainy summer afternoon
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| Pianos 2007
| (Mark So)
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| pile of breathing bodies meditation
| (experimental meditation database)
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Popp Song Performance for Nancy
and
Nancy Popp, the Drinking Game
| (adam overton)
| two devotional pieces dedicated to the fabulous Nancy Popp, handed out as notecards and demonstrated to those in attendance
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Positions [Of Potential And Respite] For Musician
or
It's up to you to save the world, Eric km Clark
| (adam overton)
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| Proximity Dance
| ( : open to all levels :)
| An invisible performance for one person in a populated indoor space.
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| Rapt before the sky
| (Martin Iddon)
| Still, almost static, but unstable, pitches, extending the flute's range downwards by over an octave
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Rehearsal Piece (No End In Sight)
or
Almost Forever
| (adam overton)
| ... as endlessly as possible [forever?] ... for Christian Kesten
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| remove a nail from a beam meditation
| (experimental meditation database)
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| resonance i
| (Michael Winter)
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| Slow Eyeball Turns Dance
| ( : open to all levels :)
| An invisible performance by one or more people in an indoor or outdoor space.
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| sound.sound
| (Michael Winter)
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| Staring Piece
| (adam overton)
| burning holes/wholes while staring...
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| Tanka
| (Adam Scott Neal)
| cello solo - moderate difficulty, aggressive in character
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| TASHI
| (Mark So)
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| the [dis-]interesting meditation
| (experimental meditation database)
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| The Mating Habits of Lines
| (Audra Wolowiec)
| The title is borrowed from Ree Morton's book, The Mating Habits of Lines. This text piece is based on drawings and translated into instructions to be acted out by people, to imply the physicality (and possible romance) of mark making.
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| the wish for everyone to use their voice meditation
| (experimental meditation database)
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| Three
| (Michael Winter)
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| Transplanting, 06.11.07-06.16.07 (or Transcription, USA!)
| (Michael Winter)
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| Two/1,2,3,4
| (Peter Bo Rappmund)
| Léonin's Magnus Liber Organi atomized and reconstructed as a set of instructions for film edits and cues. Series of 4 films based on a graphic score as derived from the source material. Files below: comparison between original and new score; comparison between new score and Final Cut timeline; two timelines with different interpretations of the graphic score; full graphic reinterpretation of aforementioned score.
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| Two Locations Dance
| ( : open to all levels :)
| A dance for to be performed by one or more people in a populated, indoor space.
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| universal energy / forgetfulness / understanding meditation
| (experimental meditation database)
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| ventilation
| (Martin Iddon)
| The first in a series of 'endurance pieces', where the duration is determined by how long (a) performer(s) can carry out a specific physical action.
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| VICKI I -- I THOUGHT I HEARD YOUR VOICE
| (Mark So)
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| Visualization
| (adam overton)
| duo - trust your vision...
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| whale drawing meditation
| (experimental meditation database)
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| What Do We Do Now? Performance
| (adam overton)
| "So, what do we do now?"
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| Whisper Performance
| (adam overton)
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