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| 69
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| happy to see you
| (Maria Savorgnan)
| bouquet, flowers, love, sex erection, pants, fly
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| never ending
| (Maria Savorgnan)
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| reperfromance
| (Maria Savorgnan)
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| "untitled" after Andrea
| (Maria Savorgnan)
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| 2012
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| 12 amplified aggrandizements
| (MARTIN BACK)
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| (54) Composer/Conductor Lockout !!
| (Mikal Czech)
|
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| (55) Weingarten Rehearsals
| (Mikal Czech)
| for the instrumentalist-workers of Cologne and New York, 1958
(more info)
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| bulging broomsticks
| (W,Vampire, Inc.)
|
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| constraction
| (MARTIN BACK)
|
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| fearful fangs
| (W,Vampire, Inc.)
|
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| four amplifications
| (MARTIN BACK)
|
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| mourning morning sloppy soapy purple poop monster
| (W,Vampire, Inc.)
|
|
| Non_1_to_12
| (Philip Mantione)
| Non 1-12 is a series of non works: non-musical, non-textual, non-performative, non-durational, non-material, non-instrumental, non-experimental, non-action, non-consensual, non-explained, non-fluxus, non-silence, non-sound, non-cochlear, non-noise, non-object, non-non-musical, non-non-textual, non-non-performative, non-non-durational, non-non-material, non-non-instrumental, non-non-experimental, non-non-action, non-non-consensual, non-non-explained, non-non-fluxus, non-non-silence, non-non-sound, non-non-cochlear, non-non-noise, non-non-object.
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| Ouroboros
| (MARTIN BACK)
|
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| twoamplifications
| (MARTIN BACK)
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|
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| 2011
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| ' strings ' - Emmanuel Witzthum
| (cotton goods)
| String trio was composed as a set of variations to the song “Mama Yo No Tengo Visto” which is a 16th century Jewish ladino melody. In Hebrew the song is called “calmness”. In writing the work I deconstructed the song by separating the tones of the melody and what the melody was “meant” to convey metaphorically. With the tones I created a series of horizontal and vertical alternate melodies and sets which relate to one another in fields, with the “metaphorical” meaning I attempted to express a process of calming down. The work itself is devoid of rhythm, as such it focuses not on the act of “performing” the tone but on the space between the tones, in the silence that is borne out of the tones intent or potential. In addition the tones do not have articulation or dynamic markings so as to allow the performers as much flexibility for creativity and expression as possible. Without rhythm the piece does not have a fixed duration (as demonstrated by the durations of the two performances on this release), nor do the performers have to adhere to a fixed metronome. They instead should lead and follow, they should be capable to return to an essence of chamber music which I feel is lost in our times, of creating together, of a whole created by it parts, each time different, each time unique, each time without original. Without articulation or dynamics, the tones are equal, the performers decide how to play their tones while the score offers them only a framework within which their interpretations can be expressed. It is my hope with this release that musicians will take the score which is added to the LP and create their own renditions and interpretations of the piece be they acoustic or electronic. This release is a blueprint, an invitation to share and communicate -so too is the score. Please visit http://uploaddownloadperform.net/CottonGoods/Index to download the score and upload your interpretations Emmanuel Witzthum 6.3.2011, Jerusalem
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| 100 Pieces / 1 Hour
| (ADACHI Tomomi)
| "100 Pieces / 1 Hour" is a collection of 100 scores for performances. It was composed from 14:00 to 15:00 (JST) on March 11th 2011 at Tokyo. The composing process was a kind of performance and also a private ritual itself. All scores are independent and each for a single (or multiple) performance. They are direct responses to works by George Brecht, though it is not only one name. A few pieces include Japanese words.
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| (10) committee naming committee
| (Mikal Czech)
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| 111111111111
| (ADACHI Tomomi)
| Time-specific composition.
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| (11) barf piece
| (Mikal Czech)
| barf
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| (12) occupy everything (dead weight)
| (Mikal Czech)
| chillaxistance
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| (13) chit chat revolution!!
| (Mikal Czech)
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| (14) ([con])sens[t]u(s)al revolution
| (Mikal Czech)
|
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| (15) heart-shaped lollipops, while you march or occupy
| (Mikal Czech)
|
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| (16) #occupyHashtag
| (Mikal Czech)
|
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| (17) People's Mic (John Coltrane)
| (Mikal Czech)
| for Ben Davis
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| 180°
| (Liam Mooney)
| a piece where performers play triangles with dry ice
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| (18) Hackey Sack Tournament (for the people of Oakland)
| (Mikal Czech)
|
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| (19) be coooooool man
| (Mikal Czech)
|
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| (1) Just a Minute(s) [Variations]
| (Mikal Czech)
|
|
| 20111
| (Manfred Werder)
| indeterminate
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| 20112
| (Manfred Werder)
| indeterminate
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| 20113
| (Manfred Werder)
| indeterminate
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| 20114
| (Manfred Werder)
| indeterminate
|
| (20) Group Decisions (systems)
| (Mikal Czech)
|
|
| (21) Violin Concerto in Occupy♯ (for Jen Karmin)
| (Mikal Czech)
|
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| (22) Violin or Guitar Concerto in Occupy♭ (for Jen Karmin and Shellac)
| (Mikal Czech)
|
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| (23) Violin Concerto in Occupy minor (for Jen Karmin)
| (Mikal Czech)
|
|
| (24) pajama revolution
| (Mikal Czech)
|
|
| (25) #makePlans (oops)
| (Mikal Czech)
|
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| (26) Occupy Our Words
| (Mikal Czech)
|
|
| (27) #occupySteps
| (Mikal Czech)
|
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| (28) #breakInLine (food)
| (Mikal Czech)
|
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| (29) #occupyRobby
| (Mikal Czech)
|
|
| (2) lend a hand (or two)
| (Mikal Czech)
|
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| (30) work it out
| (Mikal Czech)
|
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| (31) Love, Music, Wine and Revolution
| (Mikal Czech)
|
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| 326 Breaths
| (James Klopfleisch)
|
|
| (32) Recharge
| (Mikal Czech)
|
|
| (33) an in-tents party
| (Mikal Czech)
| for PsykO P
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| (34) expressing immediate desires or we want bread and roses too
| (Mikal Czech)
|
|
| (35) Remember the Malmo!!
| (Mikal Czech)
|
|
| 36 knots in your stomach
| (john)
|
|
| (36) Something In The Way (for #occupySeattle)
| (Mikal Czech)
|
|
| (37) #occupyBooks (for the 5554 books from the Peoples Library the NYPD destroyed on Nov 15)
| (Mikal Czech)
|
|
| (38) PEPPER MINT, NOT PEPPER SPRAY!!
| (Mikal Czech)
| in solidarity with those assaulted at #UCDavis, #occupySeattle, and #occupyPortland
|
| (39) Balance
| (Mikal Czech)
|
|
| (3) spirit fingers (1)
| (Mikal Czech)
|
|
| (40) open doors (welcome)
| (Mikal Czech)
| door jambs, and other ways to hold a door open for a meeting or social gathering
|
| (41) Dear Officer
| (Mikal Czech)
| things to say a peace officer as they're trying to evict, disperse, or/and arrest you for nonviolently occupying a public or private space while exercising your 1st amendment rights
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| (42) With Blue Hands
| (Mikal Czech)
|
|
| (43) Human Tetris
| (Mikal Czech)
|
|
| (44) constraint manifesto
| (Mikal Czech)
|
|
| (45) general disassembly (good vibes version)
| (Mikal Czech)
|
|
| (46) general disassembly (where do we wiggle our fingers from here? version)
| (Mikal Czech)
| where do we wiggle our fingers from here?
|
| (47) W.W.Harry.Hay.D?
| (Mikal Czech)
|
|
| (48) please don't be pushy
| (Mikal Czech)
| please don't be pushy – we've still some time ...
|
| (49) general disassembly (conflation version)
| (Mikal Czech)
|
|
| (4) a new life in miniature (Diorama Club)
| (Mikal Czech)
|
|
| (50) apple cider vinaigrette
| (Mikal Czech)
|
|
| (51) bottom(s) up coalition
| (Mikal Czech)
|
|
| (52) mad lib taxes
| (Mikal Czech)
|
|
| (53) general disassembly (get high and watch the wonder years version)
| (Mikal Czech)
|
|
| (5) naysayers (they're/their/there)
| (Mikal Czech)
|
|
| (6) don't judge a beard by its cover
| (Mikal Czech)
| for les figues press
|
| (7) Sit Down (after Naomi Klein)
| (Mikal Czech)
|
|
| (8) bike barricade (occupy the street)
| (Mikal Czech)
|
|
| (9) get down gourmet
| (Mikal Czech)
|
|
| AARON SPAFFORD
| (Mark So)
|
|
| a beheaded sun
| (James Klopfleisch)
|
|
| A Bright Future Awaits You...
| (James Klopfleisch)
|
|
| Absolutely Cuckoo
| (Adrian Rogers)
|
|
| Activities
| (Nikolaus Gerszewski)
|
|
| a dirty (or clean) look
| (john)
|
|
| a DJ that sings like elvin does
| (adam overton)
| for Benjamin Strong Davis
|
| A Historical Tour of Parking Lots
| (James Klopfleisch)
|
|
| aliterate alliteration
| (john)
| http://www.youtube.com/playlist?list=PLF9EF658A6D79B3B7
|
| am wind
| (stefan thut)
|
|
| An-ar
| (James Klopfleisch)
|
|
| and More Aluminum all
| (Teodora Stepančić)
|
|
| Andressa Soares
| (Booty Shakah)
|
|
| ANDREW MILLER
| (Mark So)
|
|
| ANNE PORTER
| (Mark So)
|
|
| a pamphlet of subtle performances (Hammer Museum)
| (adam overton)
| a pamphlet of subtle performances, composed for the attendees of the UCLA Art Party at the Hammer, 2/16/2011, as part of the subtle bodies series
|
| Aphairesis
| (Leo Svirsky)
|
|
| Aria for voice(s) (2010-11)
| (Alexis Porfiriadis)
| Verbal (25 actions) - Graphic (10 collages) score for voice(s)
|
| Around C
| (Liam Mooney)
| a really easy piece for toy instruments
|
| as if their shirts are sewn together (after Alexis)
| (john)
|
|
| As You Came from the Holy Land [readings 39]
| (Mark So)
|
|
| awwww piece
| (adam overton)
| for jonathan cornelius burtle
|
