| 3x3
| (Jukka-Pekka Kervinen)
| for piano
|
| (49) general disassembly (conflation version)
| (Mikal Czech)
|
|
| 4:BG04/10PVD'09
| (Richard Kamerman)
| a private work for a public space
|
| 4 Movements for 1 Player and Some Instruments
| (ADACHI Tomomi)
| Visual music. Etude for harmony. Total 20 hours.
|
| (52) mad lib taxes
| (Mikal Czech)
|
|
| Absent, Removed
| (Nick Hennies)
| Each note on the piano is played once; the duration of each pitch is determined by the length of decay
|
| Action For A Monday Lunchtime
| (Michael David Jones)
| On the nature of chance.
|
| Action For A Park Bench
| (Michael David Jones)
| Potential Encounters/Interactions/Conversations
|
| a DJ that sings like elvin does
| (adam overton)
| for Benjamin Strong Davis
|
| an ort, 1-9 (2009)
| (stefan thut)
|
|
| a pamphlet of subtle performances (Hammer Museum)
| (adam overton)
| a pamphlet of subtle performances, composed for the attendees of the UCLA Art Party at the Hammer, 2/16/2011, as part of the subtle bodies series
|
| as two...or three...or four...
| (Catherine Lamb)
|
|
| as well
| (Jukka-Pekka Kervinen)
| for piano (or celesta/harp/violin)
|
| At Once by Other Ones
| (Cristyn Magnus)
| for contrabass and optional interactive electronics
|
| Bath Piece for Mark So
| (adam overton)
| for solo performer, in bathtub
|
| be "that guy" performance
| (adam overton)
|
|
| Birdshot
| (MARTIN BACK)
|
|
| bits & pieces, no. 02: 23 Gestures
| (adam overton)
|
|
| bits & pieces, no. 03: all the way to the ground
| (adam overton)
|
|
| bits & pieces, no. 04: two sounds
| (adam overton)
|
|
| Book Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
|
| breakfast, lunch, or dinner
| (adam overton)
| during any performance...
|
| Buried Alive (for Katie Clark)
| (adam overton)
| for solo pianist
|
| conspiracy piece
| (adam overton)
|
|
| counterpoint piece
| (adam overton)
|
|
Counting Piece
or
When was the last time you heard on the news how many Iraqi's have died since the war began?
or
100,000 fingers is a poor substitute
| (adam overton)
| eight years of evil and a dumb populace = lots of dead people far away
|
| Cycling The Bag Piece
| (Christian Kesten)
|
|
| Die Analphase
| (MARTIN BACK)
| text score, which requires a degree of anal penetration
|
| dogs
| (Virginia Axioti)
| performance
|
| drum solos
| (adam overton)
| titles, or themes, for solo improvisations by the beginner, intermediate, or advanced drumset player
|
| eine/r, 1-6 (2007)
| (stefan thut)
|
|
| Ella llora
| (Raven Chacon)
| For female voice. Should sound like crying.
|
| Eyes glazed over performance
| (adam overton)
|
|
| Farewell Rituals
| (adam overton)
| four farewell rituals...
|
| flat
| ( : open to all levels :)
|
|
| for any acoustic instrument
| (adam overton)
| playing amplified acoustic instruments with teardrops, for ensemble (or solo)
|
| For A Year [Or Longer] [Or Shorter]
| (adam overton)
| Three pieces (for Patrick Vaillancourt)
|
| For Bill Jenkins
| (Rick Bahto)
|
|
| For Kinah Boto
| (adam overton)
| make it swing...
|
| get just a little bit closer piece
| (adam overton)
|
|
| guitar or
| (Casey Thomas Anderson)
|
|
| head down among the stems and bells
| (Martin Iddon)
|
|
| innen raum, 1-20 (2009)
| (stefan thut)
|
|
| Inner Voice
| (adam overton)
| perform one of the inner voices of any orchestral work as a solo
|
| in the stream
| (experimental meditation database)
|
|
| In To / Out Of (For Francesco Gagliardi)
| (adam overton)
| up to and into that moment where your audience, and/or your situation, disappears...
|
| Invisible Museum Performance
| (adam overton)
| in a museum, secretly imagining the gallery attendants ...
|
| Invisible Performances Pamphlet (Machine Project)
| (adam overton)
| 30 invisible performances ...
|
| Invisible & Subtle Performances for the Walker (Machine Project)
| (adam overton)
| a pamphlet of invisible & subtle performances for visitors of the Walker Art Center during Machine Project's 2-week Summer Jubilee, 2011
|
| J.S. Bach Transcription
| (ADACHI Tomomi)
| Text score
|
| Jubilee Dérives Pamphlet
| ( : open to all levels :)
| a menu of dérives...
|
| LACMA Performances Pamphlet (Machine Project)
| (adam overton)
| pamphlet of performances for A Machine Project Field Guide to LACMA, 15 Nov 2008
|
| Lamination
| (Cristyn Magnus)
| for flute and environmental sounds
|
| Lives (2)
| (Nick Hennies)
| Various percussion instruments play single pitches, durations determined by decay
|
| Maker Faire Performances Pamphlet (Machine Project)
| (adam overton)
| more invisible performances...
|
| Nympholepsy
| (Adam Scott Neal)
| solo flute - modern and fast-paced
|
| On the shoulders of giants
| (adam overton)
|
|
| overzealous photographer piece
| (adam overton)
|
|
| Paranoia Piece
| (adam overton)
| for John Burtle
|
| part piece (time lapse)
| (adam overton)
|
|
| Petrichor
| (Adam Scott Neal)
| clarinet and tape piece, sounds like a lazy, rainy summer afternoon
|
| Phoenix
| (Rick Bahto)
| for Mark So
|
| pinecone piece 3 (2 pinecones / matches)
| (adam overton)
| for Mark So
part of a series of pinecone pieces
|
| pinecone piece 4 (of Stuart Sherman)
| (adam overton)
| for Audra Wolowiec
part of a series of pinecone pieces
|
| pinecone piece 6 (mystical(?) pinecones)
| (adam overton)
| for Samantha Mitchell
after Claire Cronin
part of a series of pinecone pieces
|
| piss piece
| (adam overton)
| for solo performer, possibly with assistants
|
| posture series (of aaron spafford)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of april guthrie)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of asher hartman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of ben davis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of brooke taylor smiley)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of carol mcdowell)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of carol mcdowell (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of casey anderson)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of cassia streb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of cassia streb (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of catherine lamb)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of christa graf)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of christine tavolacci)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of corey marc fogel)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of corey marc fogel (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of daniel clay)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of david kendall)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of devin mcnulty)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of dorit cypis)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of dorit cypis (2))
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of eric km clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of gary flom)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of gerhard schultz)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of hana van der kolk)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of haruko tanaka)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of jessica catron)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of johnny chang)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of katie clark)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lailye weidman)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lara bank)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of laura steenberge)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of lewis keller)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of madison brookshire)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
| posture series (of mari garrett)
| (adam overton)
| graphic score, to be interpreted in any way, through sound, action, thought, and/or movement
|
